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Click here to sign up. The Certainty, the Impossible, and what Lies Between: An essay on information theory and music creation more.

Since the first contact of composers with the new theory, particularly the ones associated with the German journal Die Reihe, there has been rising interdisciplinary interest in Information Theory. Log In Sign Up. Masters dissertation in Music Composition in Portuguese.

Considerations regarding both aesthetic and structural motivations from the pieces are presented, especially those concerning the Eastern concept called “jo-ha-kyu”, the traditional Japanese Noh drama and the traditional Japanese martial art called “iaijutsu”. This paper will concentrate on the philosophical and aesthetic implications of this paradigm shift, setting them in the domain of stochastic models as opposed to deterministic models of musical thinking.

The opera had its first performance inconducted and directed by the composer with stage direction by Alexandre Vargas holocaustk choreography by Silvia Wolff. In particular, it describes the Information theory seeks to holpcausto information and is connected with the concept of entropy, or the amount of disorder in a system.

Enter the email address you signed up with and we’ll email you a reset link. PhD Thesis in Music Composition. In this context, physical probability is seen as being ‘replaced’ by aesthetic improbability. Building upon Claude E. This paper discusses ethical principles in the preservation of our increasingly digital musical cultural heritage, particularly in the context of the impact of information and communication technologies.

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This paper will focus on the unfolding ethical issues concerning digitisation policies, such as the likely excessive reliance on information and communication technologies, the ethics of the decision-making powers regarding the selection of what musical heritage is worth keeping, the vulnerability of digital depositories, and future ethics-oriented paths. The paper finishes by examining the author’s work Centro, an example of a composition inspired by Information Theory as a framework from which an entire philosophical stance can spring, inspiring and informing compositional choices.

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MusicCommunicationand Information Theory. What information theory has to say about new music is the main focus of this study and it is a subject that must be revised under a new light, as the literature on this particular extrapolation is rare, relying mostly on the view of communication theorists but seldom of composers.

The zettabyte is the amount of information estimated to have been generated, transmittedstored, and retrieved by humanity byand is equivalent to one billion terabytes, or 36 billion years’ worth of HD video playback.

Skip to main content. The former concentrate on the unpredictable and are framed by Complexity Theory, while the latter concentrate on the unexpected and can be better understood in light of Information Theory. Some of the philosophical implications of the pair information theory-music are discussed, including some reflections on the relationship between information entropy and physics entropy. The jo-ha-kyu concept and its expression as it is found in Noh drama and iaijutsu were used as a creative impulse and global principle for the pieces’ inner sectioning and character, guiding also the sequential order of the pieces in a programme.

The ‘revolution’ meant that information processing by the mind could, to some useful extent, be simulated by computational modelling.

O Enigma de Wittgenstein: Communication models inspired by the concept of communication noise — composer-intent, composer-notation, composer-performer, and composer-listener — are presented, along with their implications for music creation.

The first significant development on information theory was done in by its founder, Claude Shannon, and it is now a consolidated discipline. IT provides a theoretical framework for understanding the statistical nature of both communication and music aesthetics, providing a valuable approach to understanding the relationship between statistical learning and music reception.

This paper explores the use of Information Theory as an impetus for music composition, aiming to outline the main concepts derived from the theory and how they influence — and influenced — musical thinking.

UNESCO’s Information for All Programme has recently drawn attention to the digitisation of intangible cultural heritage as a primary safeguarding measure. In particular, it describes the essential communication properties of entropy, noise, channel capacity, repertoire, and expectancy, briefly addressing how they affect compositional method and aesthetic parameters embedded in the environmental context which will be referred to as the Zettabyte Era.

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This work investigates compositional processes of four pieces composed between and during my Master’s Degree in Composition at the Universidade Federal do Rio Grande do Sul. The impact of such new signs will depend on the expectations created in the process of communicating the musical message. Remember me on this computer.

One significant outcome of the theory was the so-called cognitive revolution — set in motion in in the symposium organized by the ‘Special Interest Group in Information Theory’ at the Massachusetts Institute of Technology — igniting cognitive science and subsequently its cog-nitive musicology branch.

Help Center Find new research papers in: Aesthetic and Structural Motivations in Musical Composition more.

Shirley Ann Jackson

This work also presents the consequences from those aesthetic and structural motivations in providing formal coherence to the pieces. His interests include music composition, communication theory, information theory, dance studies, film studies, music psychology, cognition, photography, and multimedia arts.

This study proposes an understanding of new music from a perspective supported by the psychology of expectation and IT as an alternative to traditional analytical-theoretical or socio-political approaches. p

While deterministic models are associated with chaos, stochastic models are better understood in terms of random processes evolving according to hopocausto.

Considerations regarding both aesthetic and structural This paper presents some possible directions for the application of information theory in music analysis from the point of view of compositional processes, using as case studies a piece by Elliott Carter and a piece by Phillip Glass. Information theory seeks to quantify information and is connected with the concept of