I was the guest of Mr. Ștefan Pușcă at 6TV. We had a long talk about Quantum Touch. I hope you’ll enjoy it. Instrumente ajutatoare in trezirea si evolutia spirituala. Download _Richard Gordon-Atingerea Cuantica 2 (Traducere Finalizata).
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Puterea intuitiei in business Sa vezi, sa simti, sa gandesti, sa actionezi. In prezent, constatam ca multe dintre cele mai bune si mai inovatoare idei de afaceri provin de la acei lideri care opereaza mai degraba pe baza propriilor instincte si a revelatiilor personale, decat pe baza unor analize interminabile. Volumul Puterea intuitiei in business descrie o tehnica simpla, dar puternica, aflata la baza unora dintre cele mai inovatoare idei de produse si servicii din lumea contemporana a afacerilor.
Pe scurt, observand cum actioneaza clientii reali si manifestand empatie fata de ei, putem dezvolta idei care sa le rezolve nevoile autentice.
Autorii recurg la exemple provenite de la intreprinzatori de mare succes din lume, ca Steve Jobs, Gordon Ramsay, George Soros, Richard Branson si Jeff Bezos, sau de la importante corporatii. Milligan si Smith ne arata cum sa folosim ideile ce impulsioneaza inovarea in afaceri si cum sa implementam strategii noi pentru a imbunatati experienta clientului. Puterea intuitiei in business este o lectura obligatorie pentru orice manager sau intreprinzator care cauta sa inteleaga lumea experientei traite de clientii sai, pentru a gasi moduri noi de In response to a lack of source works for wide-ranging approaches to teaching poetry, award-winning poet Joshua Marie Wilkinson has gathered ninety-nine micro-essays for poets, critics, and scholars who teach and for students who wish to learn about the many ways poets think about how a poem comes alive from within and beyond a classroom.
Not narrowly concerned with how to read poetry or how to write poetry, by virtue of their central concern with teaching poetry, the essays in this fresh and innovative volume address both reading and writing and give teachers and students useful tools for the classroom and beyond. New Approaches to Poetry Courses and Methodology features essays on rethinking specific courses, offering new ideas Optical and Visionary Art Since the s.
The history of an aesthetic sensibility that began with Op Art and album covers; with more than seventy-five stunning color images. This eye-popping book offers a visual history of the psychedelic sensibility.
In pop culture, that sensibility is associated with lava lamps, album covers, and “teashades,” but it first manifested itself in the extreme colors and kaleidoscopic compositions of s Op Artists.
The psychedelic sensibility didn’t die at the end of the s; Psychedelic traces it through the day-glo colors of painters Peter Saul, Alex Grey, and Kenny Scharf, the pill and hemp leaf paintings of Fred Tomaselli, the intensified palettes of Douglas Bourgeois and Sharon Ellis, and mixed-media and new media works by younger artists in the new millennium.
Although the term “psychedelic” was coined to describe hallucinatory experiences produced by drugs used psychotherapeutically, the story these images tell is about the influence of psychedelic culture on the art world — not necessarily the influence of drugs. As contemporary art evolved into a diverse and pluralistic discipline, the psychedelic evolved into a language of color and light. In Psychedelic, more than seventy-five Key texts on the notion of “situation” in art and theory that consider site, place, and context, temporary interventions, remedial actions, place-making, and public space.
Situation — a unique set of conditions produced in both space and time and ranging across material, social, political, and economic relations — has become a key concept in twenty-first-century art. Rooted in artistic practices of the s and s, the idea of situation has evolved and transcended these in the current context of globalization. This anthology offers key writings on areas of art practice and theory related to situation, including notions of the site specific, the artist as ethnographer or fieldworker, the relation between action and public space, the meaning of place and locality, and the crucial role of the curator in recent situation specific art.
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In North America and Europe, the site-specific is often viewed in terms of resistance to art’s commoditization, while elsewhere situation-specific practices have defied institutions of authority. The contributors discuss these recent tendencies in the context of proliferating international biennial exhibitions, curatorial place-bound projects, and Important documents and appraisals of appropriation art from Duchamp’s readymades to feminist and postcolonial critique.
Scavenging, replicating, or remixing, many influential artists today reinvent a legacy of “stealing” images and forms from other makers. Among the diverse, often contestatory strategies included under the heading “appropriation” are the readymade, detournement, pastiche, rephotography, recombination, simulation and parody. Although appropropriation is often associated with the s practice of such artists as Peter Halley, Sherrie Levine, Richard Prince, and Cindy Sherman, as well as the critical discourse of postmodernism and the simulacral theory of Jean Baudrillard, appropriation’s significance for art is not limited by that cultural and political moment.
The first comprehensive survey of the Gothic in contemporary visual culture explores the work of artists ranging from Andy Warhol to Cindy Sherman to Matthew Barney, with texts by Julia Kristeva, Marina Warner, Jeff Wall, and many others.
This collection of writings examines the pervasive and influential role of “the Gothic” in contemporary visual culture. The contemporary Gothic in art is informed as much by the stock themes of the eighteenth- and nineteenth-century Gothic novel as it is by more recent permutations of the Gothic in horror film theory, Lacanian psychoanalysis, and Goth subcultures. This reader from London’s Whitechapel Gallery brings together artists as different as Matthew Barney, Gregor Schneider, Louise Bourgeois, and Douglas Gordon; its intent is not to use “the Gothic” to group together dissimilar artists but rather to shed light on a particular understanding of their practice.
Anthony Vidler looks at ideas of the uncanny to explore Rachel Whiteread’s House, and Jeff Wall uses the motif of vampirism to analyze fellow artist Dan Graham’s Kammerspell; Hal Foster considers Robert Gober’s recent work–laden with Christian symbolism, criticism of America as a nexus Marcel Duchamp’s readymade, L.
In Drawing on Art, Dalia Judovitz explores the central importance of appropriation, collaboration, influence, and play in Duchamp’s work–and in Dada and Surrealist art more broadly–to show how the concept of art itself became the critical fuel and springboard for questioning art’s fundamental premises.
Judovitz argues that rather than simply negating art, Duchamp’s readymades and later works, including films and conceptual pieces, demonstrate the impossibility of defining art in the first place. Through his readymades, for instance, Duchamp explicitly critiqued the commodification of art and inaugurated a profound shift from valuing art for its visual appearance to understanding the significance of its mode of public presentation.
And if Duchamp literally drew on art, he also did so figuratively, thus raising questions of creativity and artistic influence. Equally destabilizing, Judovitz writes, was Duchamp’s idea that viewers The moving picture, film, and television have exerted an unmatched influence throughout the twentieth century, equally documenting and constructing our reality.
It is the peculiar power of the moving image that while it may be depicting a fiction, our viewing of it is real and therefore the experience and memory we take away from it is filed away with all the other events and memories that have actually happened to us. The artists in Cut have taken the material of their reality–the movie and the news program–and manipulated it to reveal its power to communicate and shape reality. Clearly indebted to the appropriation strategies of the s and sampling in hip hop and rap music of the s, these artists are united by their gestural use of editing.
Whether through looping, repetition, erasure, or compression, their active manipulation of their medium recalls the importance that action was given by Richard Serra inwhen he published “Verb List,” a list of actions that a sculptor could use to create sculpture: Cut explores the actions through which artists create videos.
Through the physical manipulation of the most familiar of Key figures on the avant-garde horizon This special two-volume edition features of the most exciting artists from TASCHEN s seminal Art at the Turn of the Millennium and the renowned Art Now series – gathered in a comprehensive survey of contemporary art at the start of the 21st century. Take a tour of the burgeoning world of plastic cameras and low-tech photography in this fun and funky guide to creating the most artistic pictures of your life Whether you’re an experienced enthusiast or toy camera neophyte, you’ll find this guide full of tantalizing tips, fun facts, and absolutely striking photographs taken with the lowest tech tools around.
You’ll learn how to prep your plastic camera, their advantages and quirks, and what film to feed it. You’ll also explore what makes a good subject, vignetting, multiple exposures, panoramas, close-ups, night photography, color, flash, problems and solutions, and so much more. Michelle Bates also takes you from a negative to either prints or pixels so that you can show off your photos and jump on the toy-camera revolution Contributors include: My Parents Were Awesome: Your mom and dad weren’t always parents.
They used to be people–and they were awesome They bathed you.
They raised you to become the person you are today. Your parents are an integral part of your story. They have a atingerfa too–one that started long before you entered the picture.
Before embarrassing fanny packs and Lite FM, there was a time when Mom and Dad were young and carefree–just like cuahtica. They were also fun and flirty, full of hope and desire and effortlessly cool. Based on the wildly popular website, My Parents Were Awesome shares heartwarming atjngerea hilarious essays by sons and daughters–including Jamie Deen, Christian Lander, Dave Itzkoff, Katherine Center, Laurie Notaro, and Holly Peterson–who’ tell tales of their folks before babies, mortgages, and receding hairlines: Accompanied by treasured vintage photographs, these stories will make you laugh, melt your heart, and spark your own reflections of Mom and Dad.
Young stock car fans looking to learn more about their favorite sport need look no further than “NASCAR’s Greatest Drivers, “a survey of the greatest drivers in atingefea history. This is a leveled reader kids will “race “to pick up!
Angela Roberts is a middle-school librarian. This is her first book. She lives in Knoxville, Tennessee. Pale Rose cuahtica England.
From the award-winning author of The King’s Daughter comes a story of love and defiance during the War of the Roses. The news of the survival of Richard Plantagenet, Duke of York, has set royal houses ablaze with intrigue and rocked the fledgling Tudor dynasty. Stepping finally onto English soil, Lady Catherine Gordon has no doubt that her husband will succeed in cuxntica quest. But rather than assuming the throne, Catherine would soon be prisoner of King Henry VII, and her beloved husband would be stamped as an imposter.
With Richard facing execution for treason, Catherine, alone in the glittering but deadly Tudor Court, must find the courage to spurn a cruel monarch, shape her own destiny, and win the admiration of a nation. Poems by Writers’ Dogs.
Now in paperback, an irresistible gift for dog lovers: Cuanttica Milton is, next to William Shakespeare, the most influential English poet, a writer whose work spans an incredible breadth of forms and subject matter.
The Complete Poetry and Essential Prose of John Milton celebrates this author’s genius in a thoughtfully assembled book that provides new modern-spelling versions of Milton’s texts, expert commentary, and atingrea wealth of other features that will please even the most dedicated students of Milton’s canon.
Edited by a trio of esteemed scholars, this volume is the definitive Milton for our time. In these pages you will find all of Milton’s verse, from masterpieces such as Paradise Lost-widely viewed as the finest epic poem in the English language-to shorter works such as the Nativity Ode, Lycidas,A Masque and Samson Agonistes.
Milton’s non-English language sonnets, verses, and elegies are accompanied by fresh translations by Gordon Braden. Among the newly edited and authoritatively annotated prose selections are letters, pamphlets, political tracts, essays such as Of Education and Areopagitica, and a generous portion of his heretical Christian Doctrine. Atingreea works reveal Milton’s passionate advocacy of controversial positions The Princeton Companion to Mathematics. This is a one-of-a-kind reference for anyone with a serious interest in mathematics.
Attingerea by Timothy Gowers, a recipient of the Fields Medal, it presents nearly two hundred entries, written especially for this book by some of the world’s leading mathematicians, that introduce basic mathematical tools and vocabulary; trace the development of modern mathematics; explain essential terms and concepts; examine core ideas in major areas of mathematics; describe the achievements of scores of famous mathematicians; explore the impact of mathematics on other disciplines such as biology, finance, and music–and much, much more.
Unparalleled in its depth of coverage, The Princeton Companion to Mathematics surveys the most active and exciting branches of pure mathematics.
Accessible in style, this is an indispensable resource for undergraduate and graduate students in mathematics as well as for researchers and scholars seeking to understand areas outside their specialties. Features nearly entries, organized thematically and written by an international team of distinguished contributorsPresents major ideas and branches of pure mathematics in a clear, accessible styleDefines and explains A Historical Collection, veteran NASCAR writer Deb Williams traces the history of stock car racing’s premier circuit from the early races cuantifa the beach to the dusty bowls of the Southeast to the sprawling superspeedways of today.
This detailed “scrapbook” contains neverbefore-published photographs, artwork and memorabilia drawn from archives. Tucked into dozens of pockets, fans will find reproductions cjantica old race programs, historic tickets, postcards and photos. These fascinating replicas include a s Bill France Sr. I made mistakes of perception, recommendation and execution. If I have learned anything I should share it. Kennedy and Lyndon B.
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But in the last years of his life, Bundy–the only principal architect of Vietnam strategy to have maintained his public silence–decided to revisit the decisions that had led to war and to look anew at the role he played. In this original and provocative work of presidential history, Gordon M. Goldstein distills the essential lessons of America’s involvement in Vietnam, drawing on his prodigious research as well as interviews and analysis he conducted with Bundy before his death in Lessons in Disaster is a historical tour de force on the uses and misuses of American power, and atiingerea instructive guidance that we must heed if we are not to repeat the mistakes of the past.
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